Taiji’s Payday As 26 Dolphins Stolen for “Life” in Captivity
Taiji, Day 1, 9/23/16: After three consecutive blue cove days, hunting boats resumed their work. By 9:00 a.m. the rain returned, and along with it, the beginnings of a drive formation. With visibility near zero, Dolphin Project Cove Monitors moved to the seawall to document the hunt. Somehow, the boats were already there, too, their motivation and greed obvious as a pod of bottlenose dolphins were being pushed closer and closer to the cove.
Despite the blinding rain, hunters netted approximately 40 bottlenose dolphins into the cove, and by 10:00 a.m., they were done. The dolphins were observed, along with a baby and presumably it’s mother, swimming tightly together. Back and forth they swam, and would be left alone without food or shelter until the following day.
With a standing order for 150 wild-caught bottlenose dolphins, placed by marine parks and aquariums around the world, of which, 42 had already been captured, the incentive was obvious. Dolphin meat doesn’t command big dollars – it’s the live captures where the real money is made – up to $154,000 U.S. dollars per mammal.
Taiji, Day 2, 9/24/16: Again, as in previous captive selections, work commenced at 5:30 a.m. And, as Dolphin Project Cove Monitors have documented before, the selection process was brutal. Four skiffs containing divers and trainers worked in the blinding rain for a full seven hours, without break. The dolphins panicked, thrashed, splashed and vocalized nonstop as one by one, the mammals were taken from the pod, and dragged away in slings.
Divers and fishermen separated the pod eight times, each time, choosing the dolphins they wanted for captivity. The chaos was horrific, the weather, unrelenting and while visibility was terrible, their cries were loud and heart wrenching.” ~ Daniela Moreno, Dolphin Project Cove Monitor.
About 1:30 p.m., it was over, the pod irrevocably damaged. Twenty-six dolphins were taken captive, with the remaining dolphins, approximately 15 in total, pushed out to sea. It was noted that there were green tags on the mammals’ dorsal fins, something our Cove Monitors have documented in past drives.
We first started seeing dolphins with tags attached to their dorsal fins in 2012. At the time, we were unsure whether they had been tagged in the cove, or if they were part of a research program. In 2014 and 2015, we attempted to contact universities which we were aware had been conducting tagging programs, but no one seemed to know anything about this.” ~ Tim Burns, Dolphin Project Coordinator
Dolphin Project later learned from our colleagues in Japan that hunters have been the ones putting the colored tags on the dolphins they release. This is to ensure they won’t drive in the same pods that have already been “sorted.” We were told this process of organizing captive hunts was something Taiji hunters learned – from SeaWorld. The connection between the captive dolphin industry and the dolphin slaughter couldn’t be clearer.
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Ric O’Barry’s Dolphin Project is a non-profit charitable organization, dedicated to the welfare and protection of dolphins worldwide. Founded by Richard (Ric) O’Barry on Earth Day, April 22, 1970, the mission of the Dolphin Project is to end dolphin exploitation and slaughter, as dolphins are routinely captured, harassed, slaughtered and sold into captivity around the world – all in the name of profit.
Every year from approximately September 1 to March 1, a notoriously cruel hunt of some of the most sentient and sensitive creatures on the planet takes place in Taiji, Japan, made famous by the 2009 Academy award-winning movie “The Cove.” During this period, fisherman, or more appropriately, dolphin hunters, “drive” the mammals to their capture or deaths via means of physical violence and acoustic torture.
Dolphin Project is the only organization to have been on the ground in Taiji since 2003. We have revolutionized live streaming and broadcast throughout the entire season.
Dolphin Project works not only to halt these slaughters but also to rehabilitate captive dolphins, investigate and advocate for economic alternatives to dolphin slaughter exploitation and to put a permanent end to dolphin captivity. This work has been chronicled in films such as, ‘A Fall From Freedom,’ the Oscar-winning documentary ‘The Cove,’ and in the Animal Planet mini-series, ‘Blood Dolphin$.’
- Anatomy of a Slaughter: In Photos - January 17, 2017
- Breaking: Tilikum, the Blackfish Whale is Dead - January 6, 2017
- SeaWorld Says: No to Show, Yes to Captivity - January 4, 2017
- Breaking: Nets Allegedly Cut at Captive Dolphin Facility in Taiji - January 4, 2017
- Happiness is Freedom ~ Peace to All - December 29, 2016
- Breaking: Barcelona Zoo Dolphinarium to Close - December 24, 2016
- Counting the Dead: Taiji’s Expendable Dolphins - December 21, 2016
- One Dolphin’s Story: Pantropical Spotted Dolphin Capture - December 12, 2016
- Breaking: No Captive Dolphins Planned for Atlantis Ko Olina - December 8, 2016
- Like Children Awaiting Their Mothers – 30 Hours of Terror - December 8, 2016
It might be true that we don't recall many moments from our early years. However, Cara's first memory of a dolphin had her begging her parents to ask the trainer to let the dolphin go! The problem with captivity was evident to her, even as a 4 year-old child.
A writer by trade, Cara has researched, investigated and documented dolphins suffering in captivity. From documenting dolphins incarcerated in buildings, cut-off from fresh air, sunlight and normal socialization to researching cases of animals imprisoned in solitary confinement, Cara is a dedicated dolphin welfare advocate.
It is her belief that education equals empowerment. The more information shared, the better our choices and knowledge of how to act as a positive and respectful voice for dolphins across the world.
Cara is based out of Canada and makes time whenever possible to observe dolphins in their natural environments. She is writing her first fiction novel but knowing her, the marine world will play a prominent role in her book!
"The use of animals for entertainment is nothing more than an abuse of dominance. Some of the most sentient species on the planet have been exploited to incomprehensible levels, all due to their inherent benevolence. Ironic, considering that we turn to the abused themselves for displays of humanity."
~ Cara Sands